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Showing posts with label Film-Noir. Show all posts
Showing posts with label Film-Noir. Show all posts

Thursday, December 13, 2007

No Country for Old Men - 2007

What It Is: An intense Coen brothers (Fargo, Miller's Crossing...) drama based on the novel by the same name.

Why I Watched It: It was enough that it was a Coen brothers film, but I was also curious about the now infamous "ending" that has audiences in a twist.

What I Thought: No Country was good, really good.

The movie follows a guy that happens upon a drug deal gone wrong and decides to run off with the cash he finds. Interested parties send a psycho after him and a haggard old cop tries to protect him. This synopsis, does no justice to the film whatsoever. Those were the images on the screen, but they were definitely not what the movie is about.

I think No Country for Old Men was really about violence, death, crime, and murder and how frequently futile it can be to understand them. The movie shows a lot of violence, but often leaves it unexplained. The movie's villain often kills for unknown reasons, or maybe no reason at all. You never see what went wrong at the drug deal, but that's not what the movie's about.

The movie opens with some voice over from Tommy Lee Jones' sheriff character talking about how criminal motive is often unknowable. No Country conveys that exact same feeling to the audience by leaving much of the "plot" unexplained. The movie ends with almost no resolution whatsoever, but real life doesn't always wrap things in a bow.

Aside from all the story stuff, the whole production was executed masterfully. Josh Brolin was very enjoyable as the "protagonist that isn't really", Tommy Lee Jones was a fantastic grizzled old sheriff. But Javier Bardem simply stole the show. He was the hired killer trying to track down the money and was one of the best, creepiest, most disturbing villains I have ever seen on film. Amazing.

Highlights: Inexplicable violence, pulse pounding gunfights, quotable dialogue, and Javier Bardem's entry into the cinema villains hall of fame!

Who Should See It: Coen brothers fans, independent movie buffs, and anybody that wants to ponder why bad guys do what they do.

How Soon: If you're looking for a meaningful film, there's not much else at the theater now. But I think the message will still be there on DVD.

Tuesday, November 13, 2007

The Killing - 1956

What It Is: Much to my surprise, turns out Stanley Kubrik's first film was a noir crime drama. Who would have thought?

Why I Watched It: Stanley Kubrik.

What I Thought: Often disappointed by the first films of other excellent directors, I honestly wasn't expecting much.

Kubrik didn't disappoint. Not only was The Killing a perfect example of film-noir, but this particular crime story still holds its own against modern greats like Reservoir Dogs and The Usual Suspects. The Killing even features a fractured timeline at the end to heighten suspense!

The movie revolves around criminal Johnny Clay (Sterling Hayden) and his plans to rob a horse racing track. We see him plotting the 'job', recruiting his help, and skillfully executing his plan. Until, of course, the job goes horribly wrong.

Highlights: Sterling Hayden's excellent criminal mastermind, the broken chronology at the film's end, and watching the plan unfold.

Who Should See It: Fans of Kubrik, classic Hollywood, crime movies, and film-noir.

How Soon: Next time you're in the mood for a good heist movie!

Friday, August 3, 2007

Bedtime Story - 2006

What It Is: A remarkably good short story based on an award-winning 53 word short story with drama and a twist.

Why I Watched It: I wanted to see a plot twist executed in 53 words, or in this case about 1 minute.

What I Thought: Incredible.

Highlights: Contract killers, film-noir, suspense, and a plot twist all in 1 minute!

Who Should See It: Fans of short film and flash fiction, film-noir people, anyone else that can spare 60 seconds for some clever cinema.

How Soon: Why not click the link below right now?

Bedtime Story
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